Products can be attacked only with counterproducts. Television criticism must set out from the historical corpus of the medium, namely, television as an industrial enterprise. What is more, any self-determination of the viewers, as the foundation of a possible emancipatory development of television, must measure itself against this industrial dimension: that is, by what cannot automatically be detected within an individual broadcast. Television can be transformed not on the level of the individual program, but of its entire history, which determines that program.

– Oskar Negt, Alexander Kluge: Public Sphere and Experience

  Television is a public medium that has seen its golden era come and go. TV was a companion to the post-war trente gloriueses of democratic welfare states. Now it is again a companion to their dismantling. Throughout the 50s, 60s, 70s and well into the 80s it was a generator of shared experience, a mitigator of a bourgeois public sphere, an ideological apparatus reinforcing political hegemony. But since that period the commodification has slowly shifted TV’s social function from a public service to a marketing machine, replacing information with entertainment, expertise and education with opinionated and partisan commentary, public interest with attention-value. At the same time the proliferation of channels and programming has fragmented the collective experience, a development that has culminated in the rise of other screen technologies that make it easy for everyone to select a programme to suit their own taste and schedule, or even to create and broadcast information of their own. However, as internet is rapidly commodifying, creating an audience-commodity of its own, internet still won’t replace the television. TV will stay with us, this public medium that has seen its golden era come and go. In April 2013 at SKOGEN, Gothenburg BADco. created a counterproposal to the television as we know it - a small-scale short-circuit television environment, fusing together in one location both the production side and the reception side of the TV medium, transforming SKOGEN into a very different kind of TV environment. To run this TV environment we've installed our algorithmic live video system (ALVES) that was initially developed as a commission for the Croatian presentation at the 54th Venice Biennale. The custom-developed network with 6 computers and 6 cameras allows us to capture live action, to store it in a video data-base, to edit it together algorithmically, based on criteria we can set in advance, and perform various transformations during playback. Using the system BADco. presented a short feedback loop between the act of production and the act of reception. This short and closed video circuit was then opened up to performative situations, joint TV viewing and interaction with the visitors. In this project BADco. took the inspiration from the works of early television artists. In the early days of television, before TV became a colossal commercial closed circuit, these artists tried to construct a different circuit of television production and consumption, an open one. Thus, retracing some of the critical propositions in the work of these artists in their interactive environment, we reflect on the current state of television, create experimental setups and draw alternate futures for this late medium. TVolution will not be televised, its alternate evolution might however get performed. TVolution will not be televised is run using the algorithmic live video system (ALVES) that was developed in collaboration with the German human-machine interface developer Daniel Turing. The performative installation presented in Gothenburg in April 2013 was a work in progress for BADco.’s theatre performance A Pound of Hysteria, Acceleration… - melodrama premiered in October 2013. Coproduction: BADco. and SKOGEN Supported by: Zagreb City Council for Education, Culture and Sport; Ministry of Culture of Republic of Croatia Televizija, javni medij, pratilac poslijeratnom usponu države blagostanja, no medij čije zlatno doba je prošlo. Komercijalizacija televizije pomiče njezinu društvenu funkciju iz one generatora zajedničkog iskustva prema marketinškom stroju. Danas, kada je suputnik razaranja te iste države blagostanja, televizija kao medij simptomatično odražava fragmentiran društveni doživljaj tjeskobe. TVolution will not be televised je protuprijedlog televiziji kakvu poznajemo. Ova izvedbena instalacija je zatvorena petlja televizijskog okoliša napučenog izvedbenim intervencijama u polju melodramatskog kao dominantnog društvenog sentimenta naše epohe. TVolution will not be televised koristi ALVES  sustav za algoritamsku montažu video materijala uživo nastao u suradnji s njemačkim dizajnerom sučelja Danielom Turingom. Izvedbena instalacija predstavljena u Göteborgu u travnju 2013 dio je procesa rada na predstavi Dodatak histerije, ubrzanja… – melodrama koja je premijerno izvedena u listopadu 2013. Koprodukcija BADco. i SKOGEN Projekt podržan od: Gradskog ureda za obrazovanje, kulturu i sport Grada Zagreba, Ministarstva kulture RH