The Stranger / Stranac, 15.08.2016 @ 67th Dubrovnik Summer Festival

BADco. invites you to see its production The Stranger at the 67th Dubrovnik Summer Festival! 15.08.2016 21:30 @ Revelin Fort Terrace, Dubrovnik, Croatia Due to intense visual stimulation we recommend that spectators bring sunglasses to the performance! Departing from the problem of the absence of (com)passion and expected emotional reactions, the project, using Camus’s antihero Meursault, provides a view of the social and systemic hypocrisies that are hidden behind relationships based on transparency. This stage reading of The Stranger focuses on three dominant images borrowed from the novel: the situation of confession, prison, and the moment of the murder itself as the point where all of the novel’s forces accumulate. Shedding light on a narrative and discourse as an attempt to explain what happened generates the level of confession, the law of transparency. Constructing a transparent choreographic score examines, in terms of mise-en-scène, the performative potency of the situations and atmospheres inscribed in the novel. Finally, with light literally shed upon it, the murder, as the central point in the narrative, is presented as a tableau of a continual threat and a stage image that constantly remains incomplete in the spectator’s eye, in its poetic character, always incomplete in waiting for a visual release, unclear because too clear. Goran Sergej Pristaš – directing Goran Ferčec – dramaturgy and text Nikolina Pristaš – choreography and performance Zrinka Užbinec – choreography and performance Ana Kreitmeyer – choreography and performance Petar Milat – textual contribution and performance Alen Sinkauz – music and performance Nenad Sinkauz – music and performance Siniša Ilić – drawings and stage design Silvio Vujičić – costume design Alan Vukelić – light design Jasmin Dasović – sound design Iva Dežmar – mask Lovro Rumiha – production Special thanks – Maria Tsitroudi, Anders Paulin   Excerpts from the following texts were used in the performance: Albert Camus: The Stranger Albert Camus: Summer in Algiers Mahmoud Darwish: Identity Card   Books referred to in the performance: Akira Mizuta Lippit: Atomic Light (Shadow Optics) Georges Didi-Huberman: Survivance des lucioles Alexander Garcia-Düttmann: Visconti: Insights into Flesh and Blood The film Juke box (1966) by Ante Verzotti is screened during the performance.   Premiere: June 27th and 28th 2015, Zagreb Dance Center (Ilica 10, Zagreb, Croatia) Project supported by: Zagreb City Council for Education, Culture and Sport; Ministry of Culture of Republic of Croatia, Zagreb Dance Centre. Project is a coproduced by Perforations Festival (Domino) mediteran9_Sinisa_Ilic BADco. vas poziva na izvedbu naše predstave Stranac na 67. Dubrovačkim ljetnim igrama! 15.08.2016. 21:30 @ Taraca tvrđave Revelin, Dubrovnik Uslijed intenzivnog vizualnog podražaja, preporučamo gledateljima da na izvedbu ponesu sunčane naočale. Polazeći od problema izostanka (su)osjećanja i očekivane emocionalne reakcije, projekt STRANAC preko Camusovog antijunaka Meursaulta sagledava socijalna i sistemska licemjerja sakrivena iza odnosa zasnovanih na transparentnosti. Ovo scensko čitanje STRANCA koncentrira se na tri dominantne slike preuzete iz romana; situacije ispovijesti, zatvora i trenutka samog ubojstva kao točke u koju se akumuliraju sve silnice romana. Rasvjetljavanjem narativa i diskursa kao pokušaja objašnjenja onoga što se dogodilo generira se ispovijesna razina, zakon prozirnosti. Gradnjom transparentne koreografske partiture mizanscenski se propituje izvedbena potentnost situacija i atmosfera upisanih u roman. Konačno, doslovno ispostavljeno rasvjetljavanju, ubojstvo kao središnje mjesto narativa izloženo je kao tableau neprestane prijetnje i scenska slika koja u gledateljevu oku uvijek ostaje nepotpuna u svojoj poetičnosti, uvijek nedovršena u iščekivanju vizualnog opuštanja, nejasna uslijed prevelike vidljivosti. Goran Sergej Pristaš – režija Goran Ferčec – dramaturgija i tekst Nikolina Pristaš – koreografija i izvedba Zrinka Užbinec – koreografija i izvedba Ana Kreitmeyer – koreografija i izvedba Petar Milat – tekstualni prilozi i izvedba Alen Sinkauz – glazba i izvedba Nenad Sinkauz – glazba i izvedba Siniša Ilić – crteži i scena Silvio Vujičić – kostimografija Alan Vukelić – oblikovanje svjetla Jasmin Dasović – oblikovanje zvuka Iva Dežmar – maska Lovro Rumiha – produkcija Posebna zahvala – Maria Tsitroudi, Anders Paulin   U predstavi su korišteni fragmenti tekstova: Albert Camus: Stranac, preveo Zlatko Crnković. Albert Camus: Ljeto u Alžiru, prevela Višnja Machiedo. Mahmud Derviš: Lična karta, preveo Mirza Sarajkić   Knjige koje su inspirirale projekt: Akira Mizuta Lippit: Atomic Light (Shadow Optics) Georges Didi-Huberman: Poput krijesnica, prevela Sana Perić. Alexander Garcia-Düttmann: Visconti – uvidi u krvi i mesu, preveo Dalibor Davidović U predstavi se koristi film Ante Verzottija Juke box, 1966.   Premijera održana 27. i 28. lipnja 2015. u Zagrebačkom plesnom centru, Ilica 10, Zagreb Predstava je pripremana u prostoru – Mjesna uprava “Stjepan Radić” i Centar za kulturu Novi Zagreb. Projekt je podržan od: Gradskog ureda za obrazovanje, kulturu i sport Grada Zagreba, Ministarstva kulture RH i Zagrebačkog plesnog centra Projekt je ostvaren u koprodukciji s Festivalom Perforacije udruge Domino

The Stranger / Stranac, 15.08.2016 @ 67th Dubrovnik Summer Festival

BADco. invites you to see its production The Stranger at the 67th Dubrovnik Summer Festival! 15.08.2016 21:30 @ Revelin Fort Terrace, Dubrovnik, Croatia Due to intense visual stimulation we recommend that spectators bring sunglasses to the performance! Departing from the problem of the absence of (com)passion and expected emotional reactions, the project, using Camus’s antihero Meursault, provides a view of the social and systemic hypocrisies that are hidden behind relationships based on transparency. This stage reading of The Stranger focuses on three dominant images borrowed from the novel: the situation of confession, prison, and the moment of the murder itself as the point where all of the novel’s forces accumulate. Shedding light on a narrative and discourse as an attempt to explain what happened generates the level of confession, the law of transparency. Constructing a transparent choreographic score examines, in terms of mise-en-scène, the performative potency of the situations and atmospheres inscribed in the novel. Finally, with light literally shed upon it, the murder, as the central point in the narrative, is presented as a tableau of a continual threat and a stage image that constantly remains incomplete in the spectator’s eye, in its poetic character, always incomplete in waiting for a visual release, unclear because too clear. Goran Sergej Pristaš – directing Goran Ferčec – dramaturgy and text Nikolina Pristaš – choreography and performance Zrinka Užbinec – choreography and performance Ana Kreitmeyer – choreography and performance Petar Milat – textual contribution and performance Alen Sinkauz – music and performance Nenad Sinkauz – music and performance Siniša Ilić – drawings and stage design Silvio Vujičić – costume design Alan Vukelić – light design Jasmin Dasović – sound design Iva Dežmar – mask Lovro Rumiha – production Special thanks – Maria Tsitroudi, Anders Paulin   Excerpts from the following texts were used in the performance: Albert Camus: The Stranger Albert Camus: Summer in Algiers Mahmoud Darwish: Identity Card   Books referred to in the performance: Akira Mizuta Lippit: Atomic Light (Shadow Optics) Georges Didi-Huberman: Survivance des lucioles Alexander Garcia-Düttmann: Visconti: Insights into Flesh and Blood The film Juke box (1966) by Ante Verzotti is screened during the performance.   Premiere: June 27th and 28th 2015, Zagreb Dance Center (Ilica 10, Zagreb, Croatia) Project supported by: Zagreb City Council for Education, Culture and Sport; Ministry of Culture of Republic of Croatia, Zagreb Dance Centre. Project is a coproduced by Perforations Festival (Domino) mediteran9_Sinisa_Ilic BADco. vas poziva na izvedbu naše predstave Stranac na 67. Dubrovačkim ljetnim igrama! 15.08.2016. 21:30 @ Taraca tvrđave Revelin, Dubrovnik Uslijed intenzivnog vizualnog podražaja, preporučamo gledateljima da na izvedbu ponesu sunčane naočale. Polazeći od problema izostanka (su)osjećanja i očekivane emocionalne reakcije, projekt STRANAC preko Camusovog antijunaka Meursaulta sagledava socijalna i sistemska licemjerja sakrivena iza odnosa zasnovanih na transparentnosti. Ovo scensko čitanje STRANCA koncentrira se na tri dominantne slike preuzete iz romana; situacije ispovijesti, zatvora i trenutka samog ubojstva kao točke u koju se akumuliraju sve silnice romana. Rasvjetljavanjem narativa i diskursa kao pokušaja objašnjenja onoga što se dogodilo generira se ispovijesna razina, zakon prozirnosti. Gradnjom transparentne koreografske partiture mizanscenski se propituje izvedbena potentnost situacija i atmosfera upisanih u roman. Konačno, doslovno ispostavljeno rasvjetljavanju, ubojstvo kao središnje mjesto narativa izloženo je kao tableau neprestane prijetnje i scenska slika koja u gledateljevu oku uvijek ostaje nepotpuna u svojoj poetičnosti, uvijek nedovršena u iščekivanju vizualnog opuštanja, nejasna uslijed prevelike vidljivosti. Goran Sergej Pristaš – režija Goran Ferčec – dramaturgija i tekst Nikolina Pristaš – koreografija i izvedba Zrinka Užbinec – koreografija i izvedba Ana Kreitmeyer – koreografija i izvedba Petar Milat – tekstualni prilozi i izvedba Alen Sinkauz – glazba i izvedba Nenad Sinkauz – glazba i izvedba Siniša Ilić – crteži i scena Silvio Vujičić – kostimografija Alan Vukelić – oblikovanje svjetla Jasmin Dasović – oblikovanje zvuka Iva Dežmar – maska Lovro Rumiha – produkcija Posebna zahvala – Maria Tsitroudi, Anders Paulin   U predstavi su korišteni fragmenti tekstova: Albert Camus: Stranac, preveo Zlatko Crnković. Albert Camus: Ljeto u Alžiru, prevela Višnja Machiedo. Mahmud Derviš: Lična karta, preveo Mirza Sarajkić   Knjige koje su inspirirale projekt: Akira Mizuta Lippit: Atomic Light (Shadow Optics) Georges Didi-Huberman: Poput krijesnica, prevela Sana Perić. Alexander Garcia-Düttmann: Visconti – uvidi u krvi i mesu, preveo Dalibor Davidović U predstavi se koristi film Ante Verzottija Juke box, 1966.   Premijera održana 27. i 28. lipnja 2015. u Zagrebačkom plesnom centru, Ilica 10, Zagreb Predstava je pripremana u prostoru – Mjesna uprava “Stjepan Radić” i Centar za kulturu Novi Zagreb. Projekt je podržan od: Gradskog ureda za obrazovanje, kulturu i sport Grada Zagreba, Ministarstva kulture RH i Zagrebačkog plesnog centra Projekt je ostvaren u koprodukciji s Festivalom Perforacije udruge Domino